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	<title>Elisabeth Moss</title>
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		<title>“The Square” di Ruben Östlund inaugura un nuovo modo di fare cinema: tra metalinguaggio e arte contemporanea</title>
		<link>https://180gradi.org/il-cervello-e-lo-schermo/martina-cancellieri/the-square-di-ruben-ostlund-inaugura-un-nuovo-modo-di-fare-cinema-tra-metalinguaggio-e-arte-contemporanea</link>
		
		<dc:creator><![CDATA[Martina Cancellieri]]></dc:creator>
		<pubDate>Fri, 01 Dec 2017 09:24:09 +0000</pubDate>
				<category><![CDATA[Il cervello è lo schermo]]></category>
		<category><![CDATA[2017]]></category>
		<category><![CDATA[arte contemporanea]]></category>
		<category><![CDATA[Cannes 70]]></category>
		<category><![CDATA[Claes Bang]]></category>
		<category><![CDATA[Elisabeth Moss]]></category>
		<category><![CDATA[esposizione]]></category>
		<category><![CDATA[Festival di Cannes]]></category>
		<category><![CDATA[interazione]]></category>
		<category><![CDATA[metalinguaggio]]></category>
		<category><![CDATA[palma d'oro]]></category>
		<category><![CDATA[quadrato]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[Ruben Östlund]]></category>
		<category><![CDATA[società]]></category>
		<category><![CDATA[spazio]]></category>
		<category><![CDATA[The Square]]></category>
		<guid isPermaLink="false">http://180gradi.org/?p=9154</guid>

					<description><![CDATA[<p>Analogamente a quanto accaduto nel 1941 con Citizen Kane (Quarto potere), film con cui un giovane cineasta americano di nome Orson Welles apriva le porte del cinema d&#8217;autore, inaugurando un nuovo modo di fare cinema (poi etichettato “cinema moderno”) così, [&#8230;]</p>
<p>L'articolo <a rel="nofollow" href="https://180gradi.org/il-cervello-e-lo-schermo/martina-cancellieri/the-square-di-ruben-ostlund-inaugura-un-nuovo-modo-di-fare-cinema-tra-metalinguaggio-e-arte-contemporanea">“The Square” di Ruben Östlund inaugura un nuovo modo di fare cinema: tra metalinguaggio e arte contemporanea</a> sembra essere il primo su <a rel="nofollow" href="https://180gradi.org"></a>.</p>
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