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		<title>“The Revenant” di Iñárritu: un&#8217;estetica che si amalgama poco con il suo contenuto</title>
		<link>https://180gradi.org/il-cervello-e-lo-schermo/martina-cancellieri/the-revenant-di-inarritu-unestetica-che-si-amalgama-poco-con-il-suo-contenuto</link>
		
		<dc:creator><![CDATA[Martina Cancellieri]]></dc:creator>
		<pubDate>Thu, 28 Jan 2016 09:53:37 +0000</pubDate>
				<category><![CDATA[Cultura]]></category>
		<category><![CDATA[Il cervello è lo schermo]]></category>
		<category><![CDATA[Inarritu]]></category>
		<category><![CDATA[Leonardo Di Caprio]]></category>
		<category><![CDATA[Lubezki]]></category>
		<category><![CDATA[Michael Punke]]></category>
		<category><![CDATA[Revenant]]></category>
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					<description><![CDATA[<p>Tempo della memoria, immagini dal passato, in una fotografia dai toni caldi e sporchi che danno sul giallo, Hugh Glass (Leonardo Di Caprio) ci viene presentato come un padre amorevole e protettivo che, dopo la morte della moglie in seguito [&#8230;]</p>
<p>L'articolo <a rel="nofollow" href="https://180gradi.org/il-cervello-e-lo-schermo/martina-cancellieri/the-revenant-di-inarritu-unestetica-che-si-amalgama-poco-con-il-suo-contenuto">“The Revenant” di Iñárritu: un&#8217;estetica che si amalgama poco con il suo contenuto</a> sembra essere il primo su <a rel="nofollow" href="https://180gradi.org"></a>.</p>
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