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	<title>L&#8217;uomo sul treno</title>
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		<title>Il treno è il cinema nell&#8217;ultimo film con Liam Neeson</title>
		<link>https://180gradi.org/il-cervello-e-lo-schermo/martina-cancellieri/il-treno-e-il-cinema-nellultimo-film-con-liam-neeson</link>
		
		<dc:creator><![CDATA[Martina Cancellieri]]></dc:creator>
		<pubDate>Tue, 23 Jan 2018 13:34:45 +0000</pubDate>
				<category><![CDATA[Il cervello è lo schermo]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[Jaume Collet-Serra]]></category>
		<category><![CDATA[L'uomo sul treno]]></category>
		<category><![CDATA[Liam Neeson]]></category>
		<category><![CDATA[Oscar 2018]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[The Commuter]]></category>
		<category><![CDATA[Vera Farmiga]]></category>
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					<description><![CDATA[<p>L&#8217;uomo sul treno di Jaume Collet-Serra ha come unica location l&#8217;arcaico e sempre più ricorrente elemento cinematografico del treno. Un thriller mozzafiato ma che racconta poco altro C’è il treno, c’è il ricatto, una famiglia in pericolo, una scadenza e [&#8230;]</p>
<p>L'articolo <a rel="nofollow" href="https://180gradi.org/il-cervello-e-lo-schermo/martina-cancellieri/il-treno-e-il-cinema-nellultimo-film-con-liam-neeson">Il treno è il cinema nell&#8217;ultimo film con Liam Neeson</a> sembra essere il primo su <a rel="nofollow" href="https://180gradi.org"></a>.</p>
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